3 years ago ·
by admin ·
photo courtesy of allhiphop.com
In a statement, Javier Ortiz, president of the Miami Fraternal Order of Police, accused the singer of using her recent Super Bowl performance “to divide Americans by promoting the Black Panthers and her antipolice message.”
The video for Beyoncé’s new song “Formation” includes images referencing the aftermath of Hurricane Katrina in New Orleans and shows a young African-American boy in a hoodie dancing in front of police officers in riot gear. During her halftime set at the Super Bowl, backup dancers were dressed in outfits reminiscent of the 1960s-era Black Panthers.
Former New York City Mayor Rudy Giuliani was a vocal critic, saying on Fox News the next day he found the performance “outrageous.”
On Thursday, Ortiz wrote that he “was one of the tens of thousands of law enforcement officers that didn’t watch the Super Bowl halftime show out of respect for our profession,” but that “on another day while flipping through the television channels, I did mistakenly watch her ‘Formation’ video.'”
A representative for Beyoncé was not immediately available to comment. But a spokesman for the City of Miami Police Department told the Huffington Post that the union spoke only for itself and that “there’s no indication that anything that is said there will translate into police officers not working the job.”
The office of Miami Mayor Tomás Regalado did not respond to an email request for comment.
Article courtesy of cnn.com. Link to original article below
Miami police union calls for cops to boycott Beyoncé
3 years ago ·
by admin ·
Last December, the University of Houston terminated its contract with Contemporary Services Corporation after the company’s security guards assaulted Cougars fans attempting to celebrate their team’s AAC championship. UH athletic director Hunter Yurachek stated he was “disappointed and angered” by the incident, videos of which illustrate CSC employees shoving, tackling, and punching jubilant students while other CSC personnel stand aside, allowing the fans to rush the field in celebration.
It was a revealing look at how the physical territory of sports is protected, and at how many things can go wrong with the contractors and low-paid, trained-in-a-day security guards hired to do the job. Employees of CSC, which markets itself as the “world leader” in stadium security, will work many of the biggest upcoming events on the sports calendar, including the NBA playoffs and the Final Four—though, notably, not the Super Bowl. (In 2006 the NFL ended its deal with CSC to provide Super Bowl security, citing cost as a factor.)
Every major sports league in the U.S. has employed CSC. The company has worked 10 Olympics, four presidential inaugurations, and three papal visits. Their yellow jackets are ubiquitous and instantly recognizable at most large public events.
But with that ubiquity comes a number of complaints. Since 1991, CSC has been sued in federal court at least 21 times on claims ranging from personal injuries, civil rights violations, and assault and battery. While it’s impossible to draw a direct comparison, their closest competitors, Elite Services, has been sued five times in a similar timeframe.
Most of these lawsuits resulted in out-of-court settlements between CSC and the plaintiffs. Taken together, they provide a glimpse of just how fine the line is between keeping order and abusing power, and how, to sports promoters, fan safety is just another cost center to be weighed against profits.
See the full story at deadspin.com
3 years ago ·
by admin ·
Art Basel will present a premier program of over 50 films and videos by and about artists selected under the title ‘Our Hidden Futures’ from December 2 through 6, 2015. Screened on the 7,000-square-foot outdoor projection wall of the New World Center, the program is again curated by Art Basel film curator David Gryn, Director of Daata Editions and London’s Artprojx. First-time Art Basel film curator Marian Masone, Senior Programming Advisor at the Film Society of Lincoln Center in New York, has selected the feature-length film ‘Troublemakers – The Story of Land Art’ (2015) by filmmaker James Crump for a special screening at the Colony Theatre on Friday, December 4. Gryn’s program of film and video works, drawn from the show’s participating galleries, will include work by Ida Applebroog, Anna Barham, Breda Beban, Janet Biggs, Sue de Beer, Rineke Dijkstra, Tracey Emin, Barbara Hammer, Shirazeh Houshiary, Jaki Irvine, Anna K.E. & Florian Meisenberg, Jumana Manna, Howardena Pindell, Cauleen Smith, Catherine Sullivan and Marnie Weber.
Every evening, in addition to the Film program, sound works by Sofie Alsbo, Alice Jacobs, Mariele Neudecker and Camille Norment will be presented on the state-of-the arts surround sound system in SoundScape Park. In conjunction with the outdoor film screenings, over 80 works have been selected to be shown within a designated Film Library at the Art Basel fair, whose Lead Partner is UBS.
For full coverage visit:
Art Basel 2015 Film Programme